La Fine di Dio (Concepto espacial. La fine di Dio. From Rachofsky Private Collection , Lucio Fontana, Concetto spaziale, la fine di Dio (1964), Oil on canvas ... Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. 701/8 x 48½in. Fondazione Lucio Fontana. On November 12, Christie's New York will offer Lucio Fontana's Concetto spaziale, La fine di Dio. Collezione privata. 178 x 123 cm. Dal 1949, Fontana iniziò a produrre i suoi Concetti spaziali, opere in cui le superfici presentano fori sparsi e, talvolta, applicazioni di sassolini e vetri colorati. Auction Venue/Sale Sale Date. Concetto spaziale/La fine di Dio (1963) Un ovale, come quelli della pittura tardo rinascimentale, dipinto di rosa, tutto crivellato di buchi, alcuni più piccoli, altri più grandi. Photo: Mike Bruce, A few years ago I was in the storage of the US Army Center of Military History in Washington DC and the curator showed me a painting by Hubert Lanzinger, The Standard Bearer from 1935. Hitler created the most diabolical horror witnessed by humankind in modern times; Fontana worshipped and found inspiration in the marvels of the universe, that infinite space where even God could disappear. Fondazione Lucio Fontana. L'anno successivo appoggia il … Lucio Fontana’s actions against the holy space of the canvas could be also seen as vandalism but rather they are a gesture to free and open up the history of painting. 178 by 123cm. 63 FD 22, illustrated, Enrico Crispolti, Fontana: Catalogo Generale, Vol. Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. Art since 1900: modernism, antimodernism, postmodernism, London: Thames & Hudson, 2004 (9780500285343) Painting. Rosario de Santa Fè, Argentina, 1899 – Comabbio, 1968. Lucio Fontana (1899-1968) , Concetto spaziale, La fine di Dio. Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin de Dieu) [1963] Huile sur toile, perforations. With his Pietre (stones) series, begun in 1952, Fontana fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass. above mid-estimate. Inscriptions : S.H.G. In his important series of Concetto spaziale, La Fine di Dio (1963–64), Fontana uses the egg shape. : L. Fontana. Maurizio Cattelan Concetto spaziale/La Fine di Dio. Painting. Nuovo record mondiale per Lucio Fontana. The subject was a disturbing portrait of Adolf Hitler as Joan of Arc but what was most striking was the deep gash under his eye. Lucio Fontana. Concetto Spaziale, La fine di Dio is an oil and glitter on canvas piece executed in 1964, and exhibited worldwide, in Paris, London and New York. La fine di Dio reminds of a vast, dark universe with millions of shining stars that seem to be materializing and dispersing at the same time within the oval outline. Concetto Spaziale, La Fine Di Dio Sell Through Rate: 100% All auction results by Lucio Fontana all artworks for sale by Lucio Fontana Artist: Lucio Fontana. Concetto spaziale, La fine di Dio (63-FD.17), 1963, huile sur toile, 178 × 123 cm, MNAM, Paris; Concetto spaziale, Teatrino (65-TE.76), 1965, peinture vinylique sur toile et bois laqué, 200 × 200 cm, MNAM, Paris; Concetto spaziale, Teatrino, 1965, acrylique sur toile et bois laqué, 127 × 166 cm, Musée d'art de Toulon. The Darkness. waterpaint, oil and glitter on canvas. Concetto spaziale Attese 1968. 14, March 1967, p. 55, illustrated, Enrico Crispolti, Lucio Fontana, Catalogue Raisonné des Peintures et Environments Spatiaux, Brussels 1974, Vol. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. View Concetto spaziale, La fine di Dio by Lucio Fontana on artnet. al. Provenance. The exhibition puts in play two key artworks by two epochal artists who have probed the inextricable relationship of the sacred and profane to dramatic effect—Lucio Fontana, with his radical spatial propositions in the post-war period, and Maurizio Cattelan, with his dystopian pranks for the new millennium. Da Christie’s New York, un grande ovale giallo del 1964 supera i 29 milioni di dollari Gagosian is pleased to announce La fine di Dio at the Davies Street gallery in London, curated by Francesco Bonami. La fine di Dio. It dawned on me that these two different fini (ends) of God find perfect synthesis in Maurizio Cattelan’s HIM.—Francesco Bonami. Concetto spaziale, La fine di Dio (63-FD.17)(Concept spatial, La fin de Dieu) En 1963-1964, Lucio Fontana réalise un ensemble de tableaux, les « Fine di Dio ». (178 x 123cm.) Here Concetto spaziale, La fine di Dio is the altar at which Cattelan’s HIM, the figure of small boy visible only from the back, turns out to be none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement. La Fine di Dio posits what no art work had done before; it articulates the genesis of a new form of expression reflective of the astral age. Concetto spaziale/La Fine di Dio is UB Only. press@gagosian.com, La fine di Dio: Maurizio Cattelan | Lucio Fontana. Provenance Nel 1934 entra a far parte del gruppo dei primi astrattisti italiani (con Melotti, Licini, Reggiani, Veronesi, Soldati, Ghiringhelli e Bogliardi) facenti capo alla Galleria del Milione. Fontana Lucio Concetto spaziale La fine di Dio 1963. Browse upcoming and past auction lots by Lucio Fontana. Save your favorite articles to read offline, sync your reading lists across devices and customize your reading experience with the official Wikipedia app. Concetto spaziale. II, p. 137, no. [11][12] In his important series of Concetto spaziale, La Fine di Dio … Source. The exhibition takes its title from Fontana’s climactic painting of the early sixties, its hot pink, egg-shaped surface savaged by the thrusts of a sharp knife. CONCETTO SPAZIALE, LA FINE DI DIO. Estimate . Olio su tela, 178,4 x 123,2 cm. The present piece, in a yellow evocative of the sun of a new day, beautifully encapsulates Fontana’s belief in a brave new world, accessible through … 65, Milan, Palazzo Reale, Lucio Fontana, 1972, p. 232, no. Nel 1922 si sposta in Argentina dove apre uno studio di scultura. Provenance and Exhibition History . Fontana, Lucio. ; 69 3/4 by 48 1/2 in. Lucio Fontana, collecting@gagosian.com Both Hitler and Fontana envisioned the end of God but from completely opposite positions. Realized Price +95%. Login in to view item. Join MutualArt to unlock sale information JOIN MUTUALART. II, Milan 1986, p. 469, no. 30-lug-2015 - Lucio Fontana Concetto spaziale, 1951 Buchi, olio e sabbia su tela 60 × 59 cm Milano, Fondazione Lucio Fontana © Fondazione Lucio Fontana, Milano Dipinti. Acquired from the above by the previous owner in 2012, Brussels, Palais des Beaux-Arts, Lucio Fontana, 1972, no. 63 FD 22, illustrated, signed; titled on the stretcher; signed on the reverse. With a single, deft juxtaposition, the history of … Realized Price -22%. “Concetto Spaziale, La Fine di Dio” Lucio Fontana | Italian Art auction La Fine di Dio, (1963-1964), est une série d'œuvres crées sur des toiles ovales de taille identique constellées de trous au pinçon et d'entailles qui sont traversant ou pas. II, Milan 2006, p. 659, no. « Concetto Spaziale, La Fine Di Dio » est considérée comme l’une des œuvres les plus emblématiques de Lucio Fontana du début des années 60. Concetto spaziale/La Fine di Dio; Concetto spaziale/La Fine di Dio. DESCRIZIONE: I "Concetti Spaziali" di Lucio Fontana ridanno fiato all’antico amore per l’astrazione algida e assoluta degli anni Trenta, quando esponeva alla galleria del Milione di Milano con Melotti, Licini, Rho, Radice, Magnelli. Exhibition Catalogue, Paris, XXéme Siècle. CONCETTO SPAZIALE, LA FINE DI DIO, FullFormat:,year,1963 oil on canvas . 184, illustrated, Angel Crespo, ‘El pensamiento y la obra de Lucio Fontana’, Forma Nueva/el Inmueble, No. With a single, deft juxtaposition, the history of iconoclasm takes an exponential leap. Concetto spaziale, La fine di Dio. 70 by 48 3/8 in. Concetto spaziale la fine di Dio 1963-64. Fontana, Lucio: Concetto spaziale. Lucio Fontana’s Concetto Spaziale (Spatial Concepts), at their clear zenith with the La fine di Dio series, are “at once transcendent and technologizing, cosmic and material” (B. Fer, “Immodest Proposals: The Art of Lucio Fontana,” Artforum, November 2014, p. 238). : L Fontana. below mid-estimate. Le opere pittoriche di questa sezione sono tutte realizzate su telai ovali della stessa dimensione e si distinguono per le costellazioni di "buchi"e/o squarci e/o graffiti che in alcuni casi interessano solo parte della tela monocroma, in altri ne caratterizzano tutta la superficie ricoperta di colore ad olio (a volte anche da lustrini). Installation view with Maurizio Cattelan, HIM (2001; front), and Lucio Fontana, Concetto spaziale, La fine di Dio (1963; on wall), Artwork, front to back: © Maurizio Cattelan, © Fondazione Lucio Fontana. Egg shape 65, Milan, Palazzo Reale, Lucio Fontana spaziale/La fine di Dio concetto spaziale, la fine di dio spaziale/La... Save your favorite articles to read offline concetto spaziale, la fine di dio sync your reading lists across devices customize. Crispolti, Lucio Fontana ( 1899-1968 ), Concetto spaziale, La designer est. Gagosian is pleased to announce La fine di Dio, 1972, 469. 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